Monday, April 1, 2013
abandoned dome houses in florida. 
original post on reddit

abandoned dome houses in florida. 

original post on reddit

Friday, March 22, 2013

and next…

i’ve queued a bunch of posts about black holes.

they are all quotes from the hubble telescope site (each quote will include a citing link)

…but you might prefer to read them metaphorically…

I think they might be all for Orpheus.

—E

Thursday, March 21, 2013
The second time I ever saw you I learned what I had read in books but I never had actually believed: that love and suffering are the same thing and that the value of love is the sum of what you have to pay for it and anytime you get it cheap you have cheated yourself. William Faulkner, Wild Palms, 1939 (via malevichsquare)
Tuesday, March 19, 2013
Well, I’m here looking through an old picture frame
Just waiting for the perfect view
I hope something special will step into my life
Another fine edition of you
ROXY MUSIC - EDITIONS OF YOU
Friday, January 18, 2013
Wednesday, January 9, 2013
“Sing me a lyric,” the maiden sighed.
geisterseher:


Wallace Bruce, Wayside Poems (1895)

“Sing me a lyric,” the maiden sighed.

geisterseher:

Wallace Bruce, Wayside Poems (1895)

Tuesday, December 11, 2012
COME BRING THE LAST
LET’S MAKE CHOICES.
LET’S USE KNIVES
THROW THEM UNTIL TEARY-EYED
THEY ARE [————] AND SHARP.
[                                                           ]
ALL DONE.

COME BRING THE LAST

LET’S MAKE CHOICES.

LET’S USE KNIVES

THROW THEM UNTIL TEARY-EYED

THEY ARE [————] AND SHARP.

[                                                           ]

ALL DONE.

Thursday, December 6, 2012

Eurydice Underground:

Dear Orpheus,

You’re still singing but always the same songs.  The songs that moved stones and silenced beasts.  

The stones pile up.  How will you get out?

The stag, the great bear, the wild dogs, gather. 

Make new songs.  Songs that crack stones.  Hear the beasts howl, bellow, rut in accompaniment. 

The new songs, I can hear them.  They come from the place we are supposed to go.  A shining cypress stands above its reflection in a deep lake you must not stop there.  Go further, into the gloom, where water moves quickly over black stones, clear and chilling.

When a man leaves his soul under the earth, a pack of women will sniff him out.  That is how it will end.  Torn apart, with bare hands and dull teeth, limb by bloody limb.  When a man abandons his soul, the furious women do not pity.  They are hungry and you, you stagger.  You smell of absence.  It is hard to explain—something like lilies held in your bleeding hands all charred by a chemical fire.  See how you clutch your lyre, knuckles clawing over the strings?

I would assist you, but I’m stuck down here.  Where you left me. 

Do not tarry.

Love,

Eurydice

Thursday, August 23, 2012 Saturday, August 18, 2012
your yours yours

your yours yours

Tuesday, July 17, 2012
re-ink:

You Made Me Wish

re-ink:

You Made Me Wish

Tuesday, June 26, 2012
Ruth Thorne-Thomsen.  Limbo Man, Wisconsin.  1992
paper cut-outs in real landscape.

Ruth Thorne-Thomsen.  Limbo Man, Wisconsin.  1992

paper cut-outs in real landscape.

Monday, June 25, 2012
Ruth Thorne-Thomsen.  Gates, Wisconsin. 1991
paper cut-outs in real landscape

Ruth Thorne-Thomsen.  Gates, Wisconsin. 1991

paper cut-outs in real landscape

Friday, June 22, 2012
Ruth Thorne-Thomsen.  Parable, Wisconsin. 1991.
paper cut-outs in real landscape.

Ruth Thorne-Thomsen.  Parable, Wisconsin. 1991.

paper cut-outs in real landscape.

Sunday, January 1, 2012

careful

Withhold.  Recede.  This is the giving time, the time of quiet and contemplation.  Be mistress of your thoughts, of your hours. You have only these hours and whatever you can make of them. Recede into the sure light of your own encompassment. Encompass yourself in your littlest hour.  Love.  What is love?

Withhold.  Recede. Learn stillness without wanting. Go underground. Put a stone beneath your tongue, a bar of gold in your hands and bury yourself.  Propitiate the underworld.

Careful, Eurydice.  Or a story will be told in which you figure only peripherally.